Jazz Club U.S.A. (1951) (Episode 3) (Strings)
712 views · Published 27 December 2017 · 29:47 · Indexed 26 September 2026
Channel: Jazz Time with Jarvis X · 2017 · Music
Jazz Club USA # 03 – Strings Host: Leonard Feather Date: 1951-01-07 Artie Shaw & his Orchestra: My blue Heaven 1:40 New York, December 23, 1936 Lee Castle, Zeke Zarchy (tp) Buddy Morrow (=Moe Zudecoff) (tb) Artie Shaw (cl,arr) Tony Pastor (ts,vcl) Joe Lippman (p,arr) Tony Gottuso (g) Jerry Gray (vln,arr) Frank Siegfield (vln) Sam Persoff (viola) Bill Schumann (cello) Ben Ginsberg (b) George Wettling (d) Harry Carney: Frustration 3:49 New York, 1949 Harry Carney (bar) Billy Strayhorn (p) Fred Guy (g) Oscar Pettiford (b) Sonny Greer (d) Duke Ellington (arr) + strings Oscar Pettiford his Cello and Quartet: Perdido 7:58 New York, September 13, 1950 Duke Ellington (p) Billy Strayhorn (celeste-1) added, Oscar Pettiford (cello) Lloyd Trotman (b) Jo Jones (d) Billie Holiday with Gordon Jenkins and His Orchestra: Somebody's on my mind 11:18 New York, October 19, 1949 Bobby Hackett (tp) Milt Yaner (cl,as) John Fulton (fl,cl,ts) Bernie Leighton (p) Tony Mottola (g) Jack Lesberg (b) Bunny Shawker (d) + five strings Billie Holiday (vcl) Gordon Jenkins (cond) Charlie Parker with Neal Hefti's Orchestra: Repetition 14:55 New York, December, 1947 Al Porcino, Ray Wetzel, Doug Mettome (tp) Bill Harris (tb) Bart Varsalona (b-tb) Vincent Jacobs (fhr) John LaPorta (cl) Charlie Parker (as-1) Murray Williams, Sonny Salad (as) Flip Phillips, Pete Mondello (ts) Manny Albam (bar) Tony Aless (p) Sam Caplan, Harry Katzman, Gene Orloff, Zelly Smirnoff, Sid Harris, Manny Fiddler (vln) Fred Ruzilla, Nat Nathanson (viola) Joe Benaventi (cello) Curly Russell (b) Shelly Manne (d) Diego Ibarra (cga,bgo) Neal Hefti (arr,cond) Dizzy Gillespie with Johnny Richards and his Orchestra: Lullaby of the leaves 18:27 Los Angeles, CA, October 31, 1950 Dizzy Gillespie (tp,vcl) Henry Coker, Dick Kenney, Harold Smith (tb) Shirley Thompson (bassoon) Henry Hill, Mischa Russell, Felix Slatkin, Jack Shulman, Harry Bluestone, Walter Edelstein, Victor Arno, John Quadri, Sidney Brokow (vln) Cy Bernard, Eleanor Slatkin (cello) Phil Shuken (fl) Haskell Issenuth (b-fl) Harry Steinfield (oboe) John Grass (fhr) Barbara Whitney (harp) Paul Smith (p) Jack Cascales (b) Charlie Wright (d) Carlos Vidal Bolado (bgo) Johnny Richards (arr) Joe Roland Symphonette: Half Nelson 21:29 New York, January 17, 1950 Joe Roland (vib) Joe Puma (g) Gus Oberstein, Jules Modlin, Sidney Kasmit (strings) Ismael Ugarte (b) Harold Granowsky (d) Stan Kenton and His Innovations Orchestra: Art Pepper 24:35 Hollywood, May 18, 1950 Buddy Childers, Chico Alvarez, Maynard Ferguson, Don Paladino (tp) Shorty Rogers (tp,arr) Milt Bernhart, Harry Betts, Bob Fitzpatrick (tb) Bill Russo (tb,arr) Stumpy Brown (b-tb) John Graas, Lloyd Otto (fhr) Gene Englund (tu) Bud Shank, Art Pepper (as,fl) Bob Cooper (ts,oboe,Eng-hrn) Bart Calderall (ts,bassoon) Bob Gioga (bar,b-cl) George Kast, Lew Elias, Jim Cathcart, Earl Cornwell, Anthony Doria, Jim Holmes, Alex Law, Herbert Offner, Carl Ottobrino, David Schackne (vln) Stan Harris, Leonard Selic, Sam Singer, Gregory Bemko (viola) Zachary Bock, Jack Wulfe (cello) Stan Kenton (p,arr) Laurindo Almeida (g,arr) Don Bagley (b) Shelly Manne (d,tymp) FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
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