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Top tuned in Bb /Re-inventing the Negra-Flamenca (review) Simplicio 1929c Andalusian Guitars

741 views · Published 22 April 2017 · 24:53 · Indexed 4 November 2026

Channel: Ruben Diaz Flamenco Guitar · 2017 · Entertainment

Watch on YouTube

Samogyi about the air pump https://youtu.be/NgIJQQ6K_m8?t=4m34s
The two test are self revealing your fretboard 
https://youtu.be/5Pw4mNtVHeU?t=4m54s 

Tuning the top Mr. Benno Streu https://youtu.be/zQ5WOQdAQxs?t=10m8s
The three-dimensional sound https://youtu.be/yp15_iiIK5U?t=18s
21 features on AG Simplicio https://youtu.be/LaZ4mcFKtVQ?t=2m
http://andalusianguitars.com/characteristicsAG.html

Sound bounces on the back https://youtu.be/NgIJQQ6K_m8?t=4m33s

https://www.liveauctioneers.com/item/24672499_1927-francisco-simplicio-presentation-classical

Guitar made around 1929 by Francisco Simplicio 
 http://www.themomi.org/museum/mfa/popular_guitars/1929-30_F_Simplicio.html 
Simplicio noticed a disadvantage of the traditional sound hole position in the weakening of the guitar top in a crucial area and also in a reduction of the sound emitting surface of the top (Huber, J.: The Development of the Modern Guitar, Westport, 1994, p.27). The increased sound emitting surface should also improve the sound emitting in the bass range (Stark, D.: Diplomarbeit – Entwurf und Bau einer Konzertgitarre mit doppelter Decke in Sandwichbauweise, Weimar, 2006, p.6)

Impact on the sound:

Omitting the sound hole or positioning it on both sides of the fingerboard leads to an enlarged vibrating surface of the top. Cue to the ratio between top length or width and top thickness, it is possible to:

– attain the same degree of flexibility of the top as in a traditional guitar, but obtaining a higher mass of the top (this leads to a better sustain without the loss of attack and responsiveness)

– attain a more flexible top than on a traditional guitar, but maintaining the same mass of the top (this leads to increased loudness and responsiveness without the loss of sustain).

In addition, the Helmholtz frequency http://polettipiano.com/Pages/airresengpaul.html 
can be lowered significantly, which in turn has an impact on the tonal character of the instrument.

(http://www.esomogyi.com/pricelist.pdf)

Sandoval, new intruments brings new ideas
https://youtu.be/WUyiEl9gYYg?t=1m22s


Antonio de Lorca 1840 https://www.frignanilorenzo.com/strumenti-a-pizzico/disponibili-per-la-vendita-1/chitarra-antonio-de-lorca-garcia-malaga-c.1840-115.html

....

https://youtu.be/NgIJQQ6K_m8?t=1m10s

Alegrias https://youtu.be/NgIJQQ6K_m8?t=2m50s

Samogy https://youtu.be/NgIJQQ6K_m8?t=4m34ss

With Maple bridge https://youtu.be/AkhzypFFRNQ?t=39s


Ex.1/ 00:01 solo 1 David by John Mc. Laughlin 
Ex.2/ 16:08 s. David by John Mc. Laughlin 
Ex.3/ 01:49  Gitanos Andaluces by Paco de Lucia
Ex.4/ 09:26  Ebm Buleria by Ruben Diaz 
Ex.5/ 14:41 Almoraima by Paco de Lucia
*Ex.6/ 04:15 Solo ad libitum + topic 


Top tuned in Bb Re-inventing the Negra-Flamenca /Combined back and sides (review) Simplicio 1929c Andalusian Guitars
http://dai.ly/x5j8uqt

Libitum https://youtu.be/1MQqjJX0r2E?t=4m15s


Redefining the Blanca-Flamenca Maple Fretb. + Haya bridge 
https://youtu.be/1MQqjJX0r2E

........

Tuning with salt https://youtu.be/hS8L7xPmtP0?t=2m7s

 The tuning topic https://youtu.be/PP_Un8pSYgg

Solea Villa Vieja by Paco de Lucia 
*Am https://youtu.be/AT_24avwraI?t=4m20s

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