Half Hour Hegel: Phenomenology of Spirit (Reason, Physiognomy and Phrenology sec. 339-341)
1,442 views · Published 2 October 2016 · 38:46 · Indexed 21 September 2026
Channel: Gregory B. Sadler - That Philosophy Guy · 2016 · Education
Get Hegel's Phenomenology - http://amzn.to/2hVyru6 The entire series - https://gregorybsadler.substack.com/p/the-half-hour-hegel-series Support my work here - https://www.patreon.com/sadler or Buy Me A Coffee - https://www.buymeacoffee.com/A4quYdWoM Philosophy tutorials - https://reasonio.wordpress.com/tutorials/ Take classes with me - https://reasonio.teachable.com/ Request personal videos on Cameo - https://www.cameo.com/gregorybsadler In this 133rd video in the new series on G.W.F. Hegel's great early work, the Phenomenology of Spirit, we continue our study of a new major section of the work, "Reason," focusing on the sub-section, "Observing Reason - Observation of Self-Consciousness In Relation to Its Immediate Actuality: Physiognomy and Phrenology". I read and comment on paragraphs 339, 340, and 341 of the text here. Phrenology, by focusing upon the skull as somehow the meaning of consciousness or of Spirit, represents a strange self-contradiction, since it involves a conscious being asserting to another conscious being that all they really are as such are their bones, or Things in the form of mere being. This is the workings of a crude instinct of Reason, which is, however, opposed by another instinct of Reason. At this point, Reason recognizes that it must make a further effort, but this is one that involves a recognition of its own mistaken direction so far. In this portion of the work, Hegel outlines a triadic process moving from the earlier in-itself to an estrangement or alienation (Entfremdung) to a reconciliation, a return from opposition to something higher. There is, however, the possibility of being locked or stuck in an oscillation between the two first parts. In this video series, I will be working through the entire Phenomenology, paragraph by paragraph -- for each one, first reading the paragraph, and then commenting on what Hegel is doing, referencing, discussing, etc. in that paragraph. This series is designed to provide an innovative digital resource that will assist students, lifelong learners, professionals, and even other philosophers in studying this classic work by Hegel for generations to come. The intro music for this video is Modest Mussorgsky, Pictures at an Exhibition - Promenade - Allegro giusto, nel modo russico senza allegrezza, available at: https://musopen.org/music/107/modest-mussorgsky/pictures-at-an-exhibition/ If you'd like to support my work producing videos like this, become a Patreon supporter! Here's the link to find out more - including the rewards I offer backers: https://www.patreon.com/sadler You can also make a direct contribution to help fund my ongoing educational projects, by clicking here: https://www.paypal.me/ReasonIO If you're interested in philosophy tutorial sessions with me, click here: https://reasonio.wordpress.com/tutorials/ My videos are used by students, lifelong learners, other professors, and professionals to learn more about topics, texts, and thinkers in philosophy, religious studies, literature, social-political theory, critical thinking, and communications. These include college and university classes, British A-levels preparation, and Indian civil service (IAS) examination preparation (Amazon links are associate links. As an Amazon Associate I earn from qualifying purchases) #Hegel #Phenomenology #Philosophy #Idealism #German #Dialectic #Spirit #Absolute #Knowledge #History
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