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The Present Creates Your Future / Becoming aware of habits in learning modern flamenco guitar

183 views · Published 24 June 2017 · 4:20 · Indexed 21 October 2026
Channel: Ruben Diaz Flamenco Guitar · 2017 · Entertainment
The way Paco de Lucia tuned / Tuning in 5 steps /Learning Modern Flamenco guitar / Ruben Diaz Spain
The two test are self revealing your fretboard 
https://youtu.be/5Pw4mNtVHeU?t=4m54s 
this other one is with chords 
https://youtu.be/xvnPa_OOeCQ?t=2m33s

Inspiration comes from work https://goo.gl/TVhSwm  
Samogyi about the air pump https://youtu.be/NgIJQQ6K_m8?t=4m34ss

 Mr. Benno Streu about mics https://youtu.be/zQ5WOQdAQxs?t=14m28s

The three-dimensional sound https://youtu.be/yp15_iiIK5U?t=18s
21 features on AG Simplicio https://youtu.be/LaZ4mcFKtVQ?t=2m
http://andalusianguitars.com/characteristicsAG.html

Sound bounces on the back https://youtu.be/NgIJQQ6K_m8?t=4m33s

https://www.liveauctioneers.com/item/24672499_1927-francisco-simplicio-presentation-classical

Guitar made around 1929 by Francisco Simplicio 
 http://www.themomi.org/museum/mfa/popular_guitars/1929-30_F_Simplicio.html 
Simplicio noticed a disadvantage of the traditional sound hole position in the weakening of the guitar top in a crucial area and also in a reduction of the sound emitting surface of the top (Huber, J.: The Development of the Modern Guitar, Westport, 1994, p.27). The increased sound emitting surface should also improve the sound emitting in the bass range (Stark, D.: Diplomarbeit – Entwurf und Bau einer Konzertgitarre mit doppelter Decke in Sandwichbauweise, Weimar, 2006, p.6)

Impact on the sound:

Omitting the sound hole or positioning it on both sides of the fingerboard leads to an enlarged vibrating surface of the top. Cue to the ratio between top length or width and top thickness, it is possible to:

– attain the same degree of flexibility of the top as in a traditional guitar, but obtaining a higher mass of the top (this leads to a better sustain without the loss of attack and responsiveness)

– attain a more flexible top than on a traditional guitar, but maintaining the same mass of the top (this leads to increased loudness and responsiveness without the loss of sustain).

In addition, the Helmholtz frequency http://polettipiano.com/Pages/airresengpaul.html 
can be lowered significantly, which in turn has an impact on the tonal character of the instrument.

(http://www.esomogyi.com/pricelist.pdf)

Sandoval, new intruments brings new ideas
https://youtu.be/WUyiEl9gYYg?t=1m22s


Antonio de Lorca 1840 https://www.frignanilorenzo.com/strumenti-a-pizzico/disponibili-per-la-vendita-1/chitarra-antonio-de-lorca-garcia-malaga-c.1840-115.html

....

https://youtu.be/NgIJQQ6K_m8?t=1m10s

Alegrias https://youtu.be/NgIJQQ6K_m8?t=2m50s

Samogy https://youtu.be/NgIJQQ6K_m8?t=4m34ss

With Maple bridge https://youtu.be/AkhzypFFRNQ?t=39s


Ex.1/ 00:01 solo 1 David by John Mc. Laughlin 
Ex.2/ 16:08 s. David by John Mc. Laughlin 
Ex.3/ 01:49  Gitanos Andaluces by Paco de Lucia
Ex.4/ 09:26  Ebm Buleria by Ruben Diaz 
Ex.5/ 14:41 Almoraima by Paco de Lucia
*Ex.6/ 04:15 Solo ad libitum + topic 


Top tuned in Bb Re-inventing the Negra-Flamenca /Combined back and sides (review) Simplicio 1929c Andalusian Guitars
http://dai.ly/x5j8uqt

Libitum https://youtu.be/1MQqjJX0r2E?t=4m15s


Redefining the Blanca-Flamenca Maple Fretb. + Haya bridge 
https://youtu.be/1MQqjJX0r2E

Solea Villa Vieja by Paco de Lucia 
*Am https://youtu.be/AT_24avwraI?t=4m20s

Tuning the top of flamenco guitars
https://youtu.be/PP_Un8pSYgg

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The way Paco de Lucia tuned / Tuning in 5 steps 
https://youtu.be/EgSaYgRXvao
The Present Creates Your Future / Becoming aware of habits in learning modern flamenco guitar

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