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Acting & Bollywood ll आपकी आँखें बतायेंगी की आप कितने अच्छे एक्टर हो llby Amit Singh

4,173 views · Published 17 August 2017 · 2:04 · Indexed 4 November 2026

Channel: Lemon Chillies Film · 2017 · Entertainment

This is my new tip for all actor who wants to become an Actor

Lemon Chillies Films Acting Institute .I’ve already argued that the movement of our eyes reflects our inner thoughts and emotions and I want to return to the observation that, in life, our attention is either out there – seeking information – or in here – processing and reflecting. Specifically the in here bit is often accompanied by our gazing into the middle distance. These are the moments when, sitting on a train, we find ourselves staring into the lap of the person opposite us. We are not really looking at them. Mentally we’re miles away.

Sometimes, as we’re doing this, our eyes move involuntarily. It seems this helps us reflect. For example, if you watch somebody who is thinking through possible courses of action, you will often see their eyes flit from side to side.

If you’ve come across neurolinguistic programming (NLP), you will be familiar with the idea that our eyes move in different directions according to what we’re doing. While I’m happy to believe that there is some truth in this – try it yourself – I don’t think it’s particularly helpful for an actor to treat NLP as anything more than an interesting observation about the link between the inner and outer. Certainly an actor who starts making deliberate choices about which way to look to reflect his character’s thinking has stepped firmly into the territory of indicating.

I hope it’s clear that what I’m suggesting is something entirely different: ‘sharing’ instead of ‘showing’. If your inner monologue is a calculation of where to look, then that is what the audience will see. Whereas, if your inner monologue is the character’s, relating to his hopes and aspirations, your eyes will automatically move appropriately. So let your inner impulses, derived from living truthfully in the imaginary circumstances, dictate your eye movements. All you need to do is to make sure that these naturally occurring eye movements remain within the doughnut.

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Film yourself going through each of the following scenarios in your mind. Place the camera slightly to one side so you’re not looking down the lens. Start by looking ahead and commit yourself to imagining the situation as fully as possible, letting your gaze go where it wants to. After you’ve done them in order, watch it back and observe what your eyes do. You might also want to go back and try each one with your eyes deliberately looking to the side and/or up or down and see whether certain movements make things easier or harder.

Imagine yourself taking a euphoric curtain call at a theatre where you’d love to work, having played your dream part. Visualize a standing ovation sweeping through the auditorium.
Imagine being interviewed by an attractive and admiring journalist about the same performance and why you love the play.
Remember the last production you actually performed in. Picture the stage and the set.
Remember an embarrassing moment from your childhood. Identify where you were, what happened and how it made you feel.
Imagine someone you really fancy making an advance towards you. Imagine what they might do and how you might respond?
Recall an occasion when you felt angry either with a person or about an issue. If it’s a person, try to picture him and what he said or did that angered you. If it’s about an issue, where were you when you felt the anger? What could you see and hear?
Recall the voice of your mother or someone significant from your childhood. Try to hear the tones of the voice.
Imagine your phone rings and you hear your favorite movie star introducing himself and asking you to come and meet him for a part in his next film, which he’s producing.
You will probably find that your eyes naturally move as you imagine or remember. And you may see that depending on where your gaze goes, your inner world becomes more or less visible.

Do the exercise again and explore different eye movements. If some of them lead your eyes to travel downwards or away from the camera, try simultaneously allowing your eyes to move naturally, but within the range of the doughnut.

Thanks for Watching
Your Amit Singh
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