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Far Cry 3 Blood Dragon - Gameplay Walkthrough Part 12 - Predator's Path: Mind the Teeth

660 views · Published 2 May 2013 · 2:20 · Indexed 14 November 2026

Channel: 【XCV//】 · 2013 · Entertainment

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Far Cry 3 Blood Dragon Gameplay Walkthrough Part 12
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Predator's Path Quest: Mind the Teeth - Cybershark is awesome.  He is shark week.  His name's the brody.  He laughs at bullets, but he has a weakness.  Kill him.  If you dare.
Reward: $200 / 4000 CP / Mag Pouch (Weapon Attachment) 
Location Coordinates: X:600.6, Y:314.0
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Predator's Path - The objective of Predator's Path is to kill a target, rare animal or elite Omega Force with a specific weapon to prove you're king shit.  Don't have a weapon?  You'll get one without any upgrades.  If you run out of ammo, you can always use your melee attack.

Far Cry 3 Blood Dragon is THE Kick-Ass Cyber Shooter taking place on a bizarre open-world island crawling with evil. Welcome to an 80's VHS vision of the future. The year is 2007 and you are Sargent Rex 'Power' Colt, a Mark IV Cyber Commando who's fighting against a cyborg army gone rogue. Your mission: get the girl, kill the baddies, and save the world. Experience every cliché of a VHS era vision of a nuclear future, where cyborgs, blood dragons, mutants, and Michael Biehn (Terminator, Aliens, Navy Seals) collide.

Set in a dystopian 2007, Ubisoft describes the game as "an 80s VHS vision of the future" where you must "get the girl, kill the baddies, and save the world". Earth has been ravaged by a nuclear war and new paths for peace must be found.
Players will control a 'Mark IV Cyber Commando' named Sergeant Rex 'Power' Colt (Michael Biehn) who must fight an enemy cyborg army known as Omega Force in a world containing 'blood dragons' and mutants.

Melbourne, Australia electronic music duo Power Glove composed the game's soundtrack.  Three tracks were released to the music sharing site SoundCloud.  The virtual box art for the game was designed by James White, who had previously created artwork for the film Drive.  According to creative director Dean Evans, the script was largely written using a BBC Micro.

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