MIXED GREENS - Howard Fonda, Leigh Tarentino
349 views · Published 22 March 2014 · 5:39 · Indexed 8 November 2026
Channel: NYC GALLERY OPENINGS · 2014 · Entertainment
HOWARD FONDA EVERYTHING AND NOTHING MARCH 20--APRIL 19, 2014 OPENING: THURSDAY, MARCH 20, 6-8PM Mixed Greens is thrilled to announce Howard Fonda's sixth solo exhibition with the gallery. In Everything and Nothing, he will exhibit a new series of largely autobiographical oil paintings and drawings. For Fonda, painting is a spiritual outpost, with the finished works existing as byproducts of instinct, thought, contemplation, and struggle. Miguel: "So what's this all about?" Howard: "What? The painting? Oh, it's everything and nothing." Miguel: "Oh. Right. Of course." Howard: "Primum viveri deinde philosophare."* Miguel: "Word." Sometimes purely formal, other times historical, philosophical, or metaphysical, Fonda's paintings freely alternate between abstraction and figuration. Yet, Fonda is less interested in distinguishing styles than in the quest for sincerity and truth in mark making. In each body of work, he is attempting to understand the world around him through the discovery within his serious painting practice. He is interested in the formal architecture of a painting—color, line, viscosity of the paint, and composition—as well as a purposeful narrative. The narrative is often demanding, however, forcing the viewer to find content in form, and sense the thoughtfulness, awkward beauty, and wonder present in a space where intuition and painstaking intention meet. When asked, Fonda reveals that his time in the studio is a never-ending effort to make a good painting without being gratuitous, self-absorbed, trendy, market-driven, or lucky. It is a lifetime's goal to which Fonda is wholly dedicated. His marks are self-aware, direct, and playful, often including hidden text, poetic moments with his family, successes, and failures. His diverse influences currently include Sophie von Hellerman, Mari Eastman, Merlin James, Matisse, Henry Miller, Thelonious Monk, Emerson, Native American art and culture, African American social history, his wife, and his son. These canvases reveal a series of figures dissolving into and emerging from color -- the slippage between art and life. LEIGH TARENTINO THE NIGHT HOURS MARCH 20--MAY 23, 2014 OPENING: THURSDAY, MARCH 20, 6-8PM Mixed Greens is thrilled to present an ambitious, site-specific window installation by Providence-based artist Leigh Tarentino. Known for her works on paper and digital prints, Tarentino translates the constructed landscape to dynamically layered fabric panels in our 26th Street windows. For the last decade, Tarentino used watercolor and ink to render delicate, and often haunting, representations of our manmade landscape. Signs of technology and suburban sprawl such as power lines, highway signs, bridges, and overpasses became elegant compositions in Tarentino's drawings, inspiring viewers to rethink roadside elements often considered to be eye sores. Since 2012, she focused her attention on suburbia itself. Graphic paintings of leafless trees wrapped in holiday lights highlight the eerie loneliness of the nocturnal, winter landscape. The materiality of the painted surface and the black and white palette capture the starkness of the moonlight on snow. For The Night Hours, Tarentino will hang layers of fabric that have been painted, silkscreened, and digitally printed with monochrome images. The various opaque and transparent panels are inspired by her nighttime suburban exploration of landscape, single-family houses, and gardens, illuminated by artificial light. The curtain-like quality of the collaged fabric references both the site-specificity of the piece and the archetype of home. Rippling, slightly distorted, and moving ever so slightly, The Night Hours gives an uncanny perspective on suburban ideas of comfort, security, and privacy. Viewers are invited to peer up at windows within windows whose odd angles disrupt a clear vision of suburban well-being. Music by: Chill Carrier - A New Day
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