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Writing Tips: The Art and Craft of Story with Victoria Mixon

4,083 views · Published 4 November 2011 · 29:40 · Indexed 10 November 2026

Channel: The Creative Penn · 2011 · Education

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I love talking to professionals who can break story down to elements we can reuse as writers. Victoria Mixon is a professional writer and independent editor and has worked in fiction, nonfiction, technical documentation, and poetry for over thirty years. She is the author of "The Art & Craft of Story: A Practitioner's Manual" which we're talking about today. Victoria's blog was also voted one of the Top 10 for writers.
What Victoria does: She basically helps authors take their story and develop them further into something that an agent or publisher would consider publishable.
The principles of story have been internalized by authors who have been writing a long time but new authors need to consider how to improve and deepen their stories. It is recommended to plan at least a little and a lot of what you write will be cut out in the final draft, but it's good to know where you're going otherwise your story will just fizzle out.
Reader addiction
How do you make the reader care? Sympathetic characters aren't necessarily nice. There has to be conflict between two choices that are very hard to resolve. The bouncing back and forth between intense needs is a very human thing. The more powerful and important the needs the more the reader can identify
Generating addiction in a reader. It's a push/ pull mechanism. The push is based on the tension in the plot and the characters which generates a tension inside the reader. Alternate this with a reward to pull them on and you have a way to hook them into your story.
Character arc and the series
I wrote recently about issues with continuity in a series including how some characters don't seem to have an arc within one book.
Victoria recommends creating someone who is so complex and has powerful needs with multiple conflicts. The protagonists of big thrillers have the need of seeing justice done vs saving themselves from being killed. This can be played out multiple times with different variations and sub-plots.
Turning a one liner into a story
Victoria takes my own one-liner and expands it. My third book in the ARKANE series will be based around ancient Egypt and the plagues of Exodus set in modern times.
The important need is to stop the world being destroyed but this conflicts with the need to save the protagonist's own life. The protagonist must be forced to choose. This is the tension. We also talk about sneaky foreshadowing that makes the reader think you're smart!
Take your idea and ask questions and create conflict, within the rules of your genre, to a point.
On Kindle sampling and hooking the reader in the first 2 pages
It's not just ebooks, we have always done this with books in stores as well. The powerful hook is critical and a lot of writers start way too early. The hook has to be the point of the actual beginning of the store, the crux point where the characters are forced into it. They have to go down this path. Not when the character is born but throw the reader right into the story. You may not know what this is until you have written the first draft as you have to find the key point of no return.
On self-editing and developmental help
Authors with little experience will need more editing and development help than established writers. The first draft often includes a lot of back-story or notes that won't go into the book but you need to know it as the author so you know how your characters behave. You also need to answer a lot of questions for yourself but it might not be used later.
There is a lot of moving scenes around a lot in redrafting. Victoria works in MS Word and breaks it down into chapters for more manageable chunks. [I'm now using Scrivener which is awesome for ease of moving things around.]
On writing fast and writing quality
Literary fiction takes a long time to gestate in a writer's mind which is why genre is where people make a living. You can set your characters up with a series protagonist and then just put the characters into a situation. Get plotting sorted and then you can just write. You will have to do editing but you will be able to write much faster than a literary tome. You do lose some of the depth but you get speed.

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