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JAMES COHAN - Intimisms

1,127 views · Published 25 June 2016 · 12:58 · Indexed 6 November 2026

Channel: NYC GALLERY OPENINGS · 2016 · Entertainment

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Video Link: https://youtu.be/oflpv7Obufc
Artists: Ellen Altfest, Joan Brown, Jordan Casteel, Susanna Coffey, Ben Degen, Louis Eilshemius, Nicole Eisenman, Jane Freilicher, Lucian Freud, Hope Gangloff, Anna Glantz, Heather Guertin, Heidi Howard, Ridley Howard, Sangram Majumdar, John McAllister, Alice Neel, Aliza Nisenbaum, Jennifer Packer, Ga Hee Park, Fairfield Porter, Giordanne Salley, Tschabalala Self, Sylvia Sleigh, Alison Elizabeth Taylor, Henry Taylor, and Patricia Treib. 
Exhibition Title: Intimisms
Exhibition Dates: June 23 - July 29, 2016
Gallery Link:  http://www.jamescohan.com/exhibitions/2016-06-23_intimisms

James Cohan is pleased to present Intimisms, a group exhibition that considers the continuing legacy of the Intimists. A group of late 19th and early 20th-century artists that included Jean-Edouard Vuillard and Pierre Bonnard, the Intimists created jewel-like portraits of family and friends in richly-colored interiors during moments of domestic quietude. Organized with artist Aliza Nisenbaum, the exhibition features twenty-six historic, established, and emerging artists and is on view at the gallery’s Chelsea location from June 23 through July 29, 2016.  
 
Included in the exhibition are paintings by Ellen Altfest, Joan Brown, Jordan Casteel, Susanna Coffey, Ben Degen, Louis Eilshemius, Nicole Eisenman, Jane Freilicher, Lucian Freud, Hope Gangloff, Anna Glantz, Heather Guertin, Heidi Howard, Ridley Howard, Sangram Majumdar, John McAllister, Alice Neel, Aliza Nisenbaum, Jennifer Packer, Ga Hee Park, Fairfield Porter, Giordanne Salley, Tschabalala Self, Sylvia Sleigh, Alison Elizabeth Taylor, Henry Taylor, and Patricia Treib. 
 
Following the advent of the genre by its earliest French practitioners, artists have practiced successive modes of intimism inside rooms and behind closed doors, amongst friends and confidants, through diary entries and inner monologues, revealing confessions and secrets, all filtered through their aestheticized private view. The style privileges an artist’s ineffable affinities and communion with his or her subject, rather than emphasizing direct observation and storytelling.  Intimisms considers the artists who champion this introspection, focusing on the interior spaces of their studios, living spaces, and bedrooms, while looking to friends, family, and lovers as subjects.  Contemporary painters continue to press and stretch against the subtle confines of the genre, updating this endeavor for the 21st century. 
 
For modern audiences, the most intimate moments are often posted, liked, and hashtagged instantaneously. How then are these previously private, sometimes clandestine, moments preserved in our era? Writing about a younger generation of painters working through the legacy of the Intimists, writer and curator Chris Sharp of Lulu in Mexico City raises doubts, “about the feasibility of intimacy, perceiving it less as a fact of life than an ethical mode, won through the increasingly rare act of paying attention.” For these artists, the act of painting actualizes and secures the personal intimacy they seek with their subjects. 

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